| Biography |
| 1899 | Born April 19 in Bury St. Edmunds, East Anglia, England. |
| 1917-20 | War work in Coventry building aeroplane parts at Standard Motor Company. Moves to Bristol where, as an oxi-acetylene torch welder, works on construction of the first metal aeroplanes at Bristol Welding Company; in spare time begins to study art - John Hassall's home correspondence course. |
| 1921 | Joint exhibition of watercolours and pastels with Cyril Power in Bury St Edmunds at Crescent House (December). |
| 1922 | Moves to London where. she attends Heatherley's School of Fine Art; studies under Henry G. Massey. |
| 1923 | Leaves Heatherley's and establishes own studio. Independent studies with Polish sculptor Henri Glicenstein. |
| 1925 | Joins newly formed Grosvenor School of Modern Art as secretary; learns to make linocuts under the influence of Claude Flight who is teaching the medium at the school. |
| 1928 | Leaves Grosvenor School and establishes new London studio at Brook Green, Hammersmith. Begins to make drypoints of popular architectural subjects; this is to be primary source of support during the years of the Depression. Independent studies with Russian ex-patriate artist Boris Héroys. |
| 1929 | Included in "The First Exhibition of British Linocuts," The Redfern Gallery, London July 4-29; catalogue introduction by Claude Flight, organizer of the exhibition). Makes first of a series of posters in collaboration with Power (signed 'Andrew-Power'), for the London Passenger Transport Board. |
| 1930 | Included In exhibition "British Linocuts," The Redfern Gallery (August; catalogue introduction by Claude Flight). |
| 1931 | Included in an exhibition of British linocuts that travels to Peking and Shanghai, China (May); "Third Exhibition of British Linocuts," The Redfern Gallery (August); "12th International Print Makers Exhibition," Los Angeles Museum, USA. |
| 1932 | Included in exhibition Modern Colour Prints," The Redfern Gallery (July). |
| 1933 | Joint exhibition with Cyril Power of linocuts and monotypes, The Redfern Gallery January 5-28; catalogue). Included in exhibition "Colour Prints," The Redfern Gallery June). |
| 1934 | Included in exhibition of linocuts by artists represented by The Redfern Gallery at The Brooklyn Museum, Brooklyn, USA June 20 - September 20) and "15th International Print Makers Ex-hibition," Los Angeles Museum. |
| 1935 | Included in exhibitions "Colour Prints," The Redfern Gallery (July); "Modern Colour Prints," |
| The National Gallery of Canada, Ottawa (December 14 - January 23, 1936; catalogue); |
| "Two Hundred Years of British Graphic Art," Prague, Vienna, Bucharest; |
| "16th International Print Makers Exhibition," Los Angeles Museum. |
| 1936 | Included in exhibitions "Colour Prints," |
| The Redfern Gallery (June 25 - July 18) and |
| "17th International Print Makers Exhibition," Los Angeles Museum. |
| 1938 | Moves to Norley Wood near Lymington in southern England. Included in "19th International Print Makers Exhibition," Los Angeles Museum. |
| 1940 | Included in exhibition of colour prints at National Gallery of South Australia. |
| 1942 | Commences war work in the yards of British Power Boat Company at Hythe near Southampton. |
| 1943 | Meets and marries Walter W. Morgan, a co-worker in the shipyards. |
| 1945 | Included in colour print exhibition at Gainsborough Gallery, Johannesburg, South Africa. |
| 1947 | Immigrates to Canada, settling permanently in Campbell River; en route, blocks for several prints are destroyed when they partially melt in the hold of theRoyal Mail, the ship on which she and her husband travel to Canada. |
| 1948 | One-person exhibition at The Vancouver Art Gallery (November).
Exhibition of forty linocuts organized by Allied Arts Centre, Calgary (October); exhibition travels for next two-and-a-half years across Canada to Winnipeg, Regina, London, Charlottetown, Wolfville, Sydney, Saint John, Fredericton, Amherst, Brantford, Woodstock. |
| 1949 | Included in "Thirty-Third Annual Exhibition," The Society of Canadian Painters, Etchers and Engravers, Royal Ontario Museum, Toronto (March 5-31; catalogue); included in these annual exhibitions continuously" until 1969 with the exception of 1955, 1961, 1963, 1966-68. |
| 1951 | Elected member of The Society of Canadian Painters, Etchers and Engravers. Etching Canon Street Bridge wins G. A. Reid Award as best print, C .P.E. annual exhibition. One-person exhibitions at Victoria Arts Centre (April) and Edmonton Museum of Arts (August). |
| 1952 | Linocut Indian Dance (cat. no. 45) selected as C.P.E. Presentation Print. |
| 1953 | One-person exhibition at Clifford's Galleries, Vancouver (November). Included in "Northwestern Printmakers Annual," Seattle Art Museum, Seattle, USA. |
| 1954 | 1954 Included in exhibitions "Modern Sacred Art", sponsored by Inter-American Congress of Religious History and Art, Museo Historico de la Iglesia de Argentina, Buenos Aires, Argentina (October 11-30; illustrated catalogue) and "Northwestern Printmakers Annual," Seattle Art Museum. |
| 1955 | One-person exhibition at Clifford's Galleries, Vancouver (May). Included in "Northwestern Printmakers Annual," Seattle Art Museum. |
| 1958 | Included In exhibition "A Retrospect Into Canadian Printmaking," Toronto Public Reference Library (April 13 - May 4; catalogue). |
| 1959 | Most of the monotypes she made in England are destroyed in a fire at Robertson Gallery, Ottawa. |
| 1960 | Begins to teach weekly art classes at her home. |
| 1975 | Included in exhibitions 'British Printmakers 1850-1940," P & D. Colnaghi & Co. Ltd., London (May 21 - June 17; illustrated catalogue. |
| 1976 | One-person exhibition at the Art Gallery of Greater Victoria (December). |
| 1977-78 | Included in exhibition 'Futuristi Inglesi: Claude Flight & la Sua Cerchia," that tours Italy (Genoa, Milan, Rome, Bologna, Brescia, Bolsano Padua) under sponsorship of Compagnia del Disegno. |
| 1978 | One-person exhibitions at deVooght Galleries Ltd., Vancouver (June; illustrated catalogue) and Masters Gallery, Calgary (October). Included in exhibitions "A Survey of Australian Relief Prints 1900/1950," |
| Deutscher Galleries, Armadale, Victoria, Australia (April 13 - May 5; illustrated catalogue) and "The Movement of Flight," Parkin Gallery (September 27 - October 21; catalogue). |
| 1980 | One-person exhibition "Sybil Andrews," Parkin Gallery (October 22 - November 15; illustrated catalogue). |
| 1981 | Included in exhibition 'The Society of Canadian Painter-Etchers and Engravers in Retrospect," organized for national tour by the Art Gallery of Hamilton (illustrated catalogue). |